Tuesday, August 12, 2008

Two States

According to Wikipedia, there have been 27 separate attempts to split California into multiple states since 1850, the year California earned statehood. Most of these actions attempted to split the state in half, dividing the Golden State between the north and south.

Two states!
We want two states!
North and south
Two, two states
A couple of times, the northern portions of the state were nearly renamed the Colorado, either as a territory or another state entirely. Portions of other states were also considered in California secession plans, like Oregon and Arizona. Mountain Ranges were often considered when determining where to draw the borders. In the late 19th century, the building of the Ridge Route as a way to cross the Tehachapi Mountains helped thwart talk of splitting the state.

The last attempt to split the state came in 1992. State Senator Stan Statham was able to pass a proposal in the House to put the issue of state secession on the ballot in 58 counties. The proposal didn't survive the Senate.
Forty million daggers
Two states
We want two states
There's no culture
There's no spies
When one travels to California, it becomes rather apparent that the state is already very divided. The southern portion is sunny and generally very conservative, especially in Orange County. The north has the very liberal bay area and touches California's hippie cousin, Oregon. The temperatures also tend to be cooler and rainier than the south.

Wednesday, August 6, 2008

Date w/ IKEA

Jingle-jangle goes the opening guitar chords of "Date w/IKEA," one of two contributions by Scott Kannberg to Brighten the Corners. This might be the poppiest song Spiral Stairs ever wrote. It's certainly the jangliest.

This was something new for Kannberg. He was generally shut out in previous Pavement albums. He'd fool around on the guitar before the band met to record, and Malkmus would show up with demos and nearly complete songs ready to go. Kannberg came prepared to the BtC sessions with some songs ready for production. Of course, by this time, it was Malkmus' show. Kannberg was somehow able to sneak in two songs. This was one of them.

Even though he was unable to contribute many songs to the catalog, Pavement was good to Kannberg. Much like the situation he describes in the song, Kannberg realized he needed to stay around and stick it out. The song specifically describes a guy staying with his overly dramatic girlfriend despite her wild outbursts. He just joins her on a trip to IKEA for some new furniture when things go awry. It's easier that way.

The jangle mentioned before is something different for the band. The pep of the song actually picks up the album full of mid-tempo SM laments. This track, as well as "Passat Dream," kept BtC from wallowing in the mid-tempo mire. These songs gave the album some balance, cementing Kannberg's value to the band as a secondary songwriter.

Tuesday, August 5, 2008

Newark Wilder

Cryptic is a love song for polygamists. Malkmus begins the story with a passionate courtship. A brand new era is about to commence for our hero. However, there's the sticky situation with the spouse already in place and not willing to give up her partner...

She won't let you know that I need a right to touch her
She won't let you wait for me
For me to touch you
A once happy marriage is tangled in the mire of a threesome and possible divorce.
Crowds of the people and voices and steeples and wedding rings
Wild are the horses and break-up divorces and separate rooms from
In the end, compromise is found. The first wife keeps the new one hidden, cut out of pictures. The man's needs are met. He's satisfied.
Three of us is enough.
The song, despite the strange, jazzy rhythms, would fit nicely in an episode of Big Love. Its groove is sleepy, almost lazy, but it fills in the slot right behind the radio-ready poppiness of "Cut Your Hair" just before it leads into the raucous "Unfair." "Newark Wilder" is the perfect segue on a perfect album.

Tuesday, July 8, 2008

Black Out

The saying "Ignorance is bliss" holds a lot of truth. If you're not aware that anything is wrong, about what you have to worry? If you're in the dark, you don't see imperfections.

Take a hole-in-the-wall bar for instance. The lights are mostly turned off. The only thing you're thinking about is getting plowed and hooking up with the young lady next to you. Then the bartender turns on the light and tells everyone to go home. You look around and see that this dingy little place is not where you want to spend the rest of your evening. The woman you were just chatting up doesn't look so great either. (She's probably thinking the same thing about you.)

Ignorance truly is bliss. There is no worrying about the world if you're not aware it has any problems. It's almost freeing to be so worry-free.

Though it's ultra-cryptic, "Black Out" plays with this idea. After rather confusing verses, Malkmus repeats, "No one has a clue." And the song closes with the repeated lines of "fun fun fun, fun for the summertime blues" and "it's gonna set you free."

What could ever have Pavement so carefree, without worldly worry? Pot. It's been well-documented that band succumbed to a lot of pot smoking during the recording of Wowee Zowee, and "Black Out" does little to dispel this fact.

(Crappy live footage of "Black Out")

Thursday, July 3, 2008

You Are a Light

"You Are a Light" is a love song. Pavement is not known for too many love songs, but this is certainly one, and the song is as Pavement a love song as there is.

The first verse describes a life in chaos. Anxiety is abundant thanks to our impending dependency on technology. (It was recorded in 1999.) The technology frustrates and confuses, making a return to the good old days and suicide our only options. At least SM has his light or to whomever he's singing.

Another scenario is described in the second verse where SM finds himself studying abroad, in Spain. Silly American/middle-class phobias of gypsy children and mortuary feasting consume him. Luckily, he has his love to shine the light to lead him home.

Things get downright sexual as the third verse begins. References to driving sticks and a lot of hollering close out the song.

SM repeats that he is "the isolator." An isolator is usually a switch that does what its name suggests: it isolates electrical current. The current in this case could be fro his light or in hopes of powering his light. Either way, this is as passionate as the usually monotone singer gets.

The music of the song is easy and jazzy through the first two verses, but rocks and breaks out after the second chorus with a typical Pavement-esque solo. This switch in intensity is carried into the third verse. Overall, besides the jazzy undertones, the arrangement is rather minimalist. The simplicity of the band's performance is augmented by various blips and electronic flourishes here and there, never more clearly heard than at the very end.

(Th performance below contains alternate lyrics from the track I reviewed. SM was known to mess with lyrics now and again.)

Wednesday, June 25, 2008

No Life Singed Her

Every band writes about mortality at some point. Zeppelin had "Stairway to Heaven", and Blue Oyster Cult had "(Don't Fear) the Reaper". However, as with most Pavement tracks, "No Life Singed Her" takes a totally different angle than the traditional mortality song.

First of all, there's this laissez faire attitude about the final hours. Then there's the imagery of slicing up a symbol of faith. Now the angel won't have to suffer from life the way we do. Eventually, we just float up to heaven or wherever we go, and that's it.

The song itself is way more acidic than that. SM's screaming and the harsh tones of the guitars make it a much more abrasive song than the lyrics or choral delivery would suggest.

But maybe that's life. We do what we want with our time, despite its fragility and value. Our faith is cut down time and time again. Before long, we accept death and move on.

(Sorry for the silly video, but it did have the track in question.)

Wednesday, May 14, 2008

Spizzle Trunk

An old school punk rocker measuring just over one minute and complete with unintelligible lyrics and piano banging, "Spizzle Trunk" demonstrates the inner-rocker within Stephen Malkmus. SM would go on to a solo career where he'd experiment with a similar aesthetic in his live shows...and throughout his most recent album, sans the youthful punk ethos.

The spizzle is for the sound. The trunk describes the curmudgeon.

The lyrics describe a middle-aged man living a miserable life with his cat and his detestable neighbors, family, and friends. You can picture the grump sitting at the kitchen table, shoveling cornflakes down his throat just before he sneezes them out his nose. He's got male-pattern baldness and nasty disposition.

"Spizzle Trunk" is punk rock for the balding, forty-year-old grump in all of us.